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Pitchfork

Reviews

The Adept

Lord Spikeheart
Collaborating with a host of producers from across Africa, Europe, and Asia, the Nairobi vocalist shrieks and growls his way through a harrowing fusion of metal, rap, club music, and noise.

Final Summer

Cloud Nothings
With spruced-up production highlighting new subtleties in their sound, yet never abandoning their melodic fundamentals, the Cleveland indie rockers’ latest radiates a renewed sense of purpose.

This Ain’t the Way You Go Out

Lucy Rose
After a life-changing illness, the UK folk singer returns with a gentle, subtly experimental album that finds hard-won solace in motherhood and recovery.

The Road to Hell Is Paved With Good Intentions

Vegyn
The English producer’s new album reflects his gift for meticulous construction, but it feels more akin to a well-curated playlist than a unified statement.

Your Day Will Come

Chanel Beads
The New York band’s debut is a dreamy, druggy pop album that finds a provocative sweet spot between being chintzy and being sincere.

Features

Parannoul and the New Generation of Korean Indie

How Waxahatchee Made the Album of Her (Second) Life